From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 10:
Tennyson wrote "In Memoriam" at Shawell Rectory, near Lutterworth, Leicestershire. The rector was a Mr. Elmhirst, a native of the poet's Lincolnshire village. The latest historian of Lutterworth says that "The great puffs of tobacco smoke with which he [Tennyson] mellowed his thoughts, proved insufferable to his host, and he was accordingly turned out into Mr. Elmhirst's workshop in the garden, which in consequence became the birthplace of one of the gems of English literature."